During World War II, after the imprisonment of her then partner Max Ernst, Carrington fled France and sought asylum in Spain. There, she experienced a series of psychological crises. Her family placed her in a sanatorium against her will, where she was subjected to severe treatments. Carrington eventually moved to New York, where André Breton encouraged her to write about her experiences in the Surrealist journal VVV. Shortly thereafter she made Green Tea, which is possibly a meditation on her confinement. At left there is a figure, often interpreted as the artist, clad in a restrictive cowhide-like straitjacket. A white horse, another one of Carrington’s autobiographical symbols, is chained to a tree nearby.

Gallery label from

522: Art of This Century, 2025

Medium Oil on canvas
Dimensions 24 × 30" (61 × 76.2 cm)
Credit Gift of the Drue Heinz Trust (by exchange)
Object number 145.2019
Department Painting & Sculpture

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Leonora Carrington

Leonora Carrington

British, 1917–2011 6 works online

Animal/human hybrids, giant goddesses, spaces for magical transformation, and enigmatic creatures populate Leonora Carrington’s artworks and writing. She created a pantheon of subjects that convey her interest in the sacred—one that is untethered to a specific religion or culture—and its presence in the intimate corners of our psyches.

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