Cut-and-pasted printed paper with pencil and gouache on printed paper on cardstock
Not on view
In many of Ernst’s Dada overpaintings and collages, he appropriated images from the Bibliotheca Paedagogica (1914), a catalogue of anatomical and biological teaching materials for students in elementary through high school. This work is based on a lithograph of a cross section of a meat fly, which Ernst excised whole from the Bibliotheca and transformed by reorienting it, affixing to it three additional elements (birds, angiosperm, and a tall oven) and adding a ground line in pencil to create a “sick” horse in a landscape.
Max Ernst: Beyond Painting, September 23, 2017-January 1, 2018.
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André Breton, Paris. Given to him by the artist
The Museum of Modern Art, New York. Purchase, summer 1935
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Max Ernst
French and American, born Germany. 1891–1976 234 works onlineA key member of first Dada and then Surrealism in Europe in the 1910s and 1920s, Max Ernst used a variety of mediums—painting, collage, printmaking, sculpture, and various unconventional drawing methods—to give visual form to both personal memory and collective myth.
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