Max Ernst

Frontispiece from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête

1947–49, published 1949

Etching and aquatint from an illustrated book with 23 etchings (15 with aquatint, eight with drypoint and pochoir)

Not on view

The Anti-Head is a three-volume anthology of poems by Tristan Tzara, the Romanian poet whom Ernst had first befriended through the Dada movement. Ernst’s etchings for the book’s first volume signal a shift in his approach to printmaking after World War II, when he began using sinuous lines to generate biomorphic faces, figures, and bird- and fish-like forms. Tzara had created the titular “Mr. Aa the Anti-Philosopher” early in his career as a mocking, self-referential embodiment of Dada’s antiestablishment ideals.

Gallery label from

Max Ernst: Beyond Painting, September 23, 2017-January 1, 2018.

Author Tristan Tzara
Medium Etching and aquatint from an illustrated book with 23 etchings (15 with aquatint, eight with drypoint and pochoir)
Dimensions plate: 3 7/16 × 2 3/8" (8.7 × 6.1 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)
Publisher Bordas, Paris
Printer Lacourière, Paris
Edition 200
Credit The Louis E. Stern Collection
Object number 1114.1964.A01
Department Drawings and Prints

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Max Ernst

Max Ernst

French and American, born Germany. 1891–1976 234 works online

A key member of first Dada and then Surrealism in Europe in the 1910s and 1920s, Max Ernst used a variety of mediums—painting, collage, printmaking, sculpture, and various unconventional drawing methods—to give visual form to both personal memory and collective myth.

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