Vasily Kandinsky

Two Riders Before Red (plate, folio 4) from Klänge (Sounds)

(1913)

Woodcut from an illustrated book with fifty-six woodcuts

Not on view

Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book.

Publication excerpt from

Heather Hess, German Expressionist Digital Archive Project, German Expressionism: Works from the Collection. 2011.

Author Vasily Kandinsky
Medium Woodcut from an illustrated book with fifty-six woodcuts
Dimensions composition: 4 3/16 x 6 1/4" (10.7 x 15.8 cm); page: 11 1/16 x 10 7/8" (28.1 x 27.7 cm)
Publisher R. Piper & Co., Munich
Printer F. Bruckmann A.G., Munich
Edition Book: 300 (signed and numbered); 45 h.c.
Credit The Louis E. Stern Collection
Object number 858.1964.1
Illustrated book Klänge (Sounds)
Department Drawings and Prints

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