Max Ernst

Volume III: La Cour du dragon (Volume III: The Court of the Dragon) from Une Semaine de bonté ou les sept éléments capitaux (A Week of Kindness or the Seven Deadly Elements)

1933–34, published 1934

Volume III from a five volume serial novel with 182 line blocks after collages

Not on view

A Week of Kindness (Une Semaine de bonté), is the most elaborate of Ernst’s inventive “collage novels.” Its 182 images were created by cutting up and reorganizing illustrations from nineteenth-century novels, scientific journals, and other sources. By printing these collages photomechanically, Ernst transformed them into the seamless images he desired. The surreal constructions, alternately dark and humorous in their subversion of bourgeois gentility, are rife with suggestions of repressed sexuality, violence, anti-militarism, and anticlericalism. Though originally planned as seven volumes, one for each day of the week, the last three “days” were combined into the fifth and final volume. Ernst released them consecutively, like popular serial stories.

Gallery label from

Max Ernst: Beyond Painting, September 23, 2017-January 1, 2018.

Author Max Ernst
Medium Volume III from a five volume serial novel with 182 line blocks after collages
Dimensions page (each): 10 5/8 x 8 1/16" (27 x 20.5 cm)
Publisher Éditions Jeanne Bucher, Paris
Printer Georges Duval, Paris
Edition 812
Credit The Louis E. Stern Collection
Object number 828.1964.C
Department Drawings and Prints

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Max Ernst

Max Ernst

French and American, born Germany. 1891–1976 234 works online

A key member of first Dada and then Surrealism in Europe in the 1910s and 1920s, Max Ernst used a variety of mediums—painting, collage, printmaking, sculpture, and various unconventional drawing methods—to give visual form to both personal memory and collective myth.

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