Max Ernst

Variant of plate (page 161) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête

1947–49, published 1949

Etching, aquatint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)

Not on view

This etching was inserted into the volume of the same title as a supplementary suite to the deluxe edition of the book. It was printed from the same etching plate Ernst had created for the book’s illustrations; however, the background colors were omitted, and watercolor was added by hand, enhancing the playfulness of Ernst’s free-flowing, phantasmagorical forms.

Gallery label from

Max Ernst: Beyond Painting, September 23, 2017-January 1, 2018.

Author Tristan Tzara
Medium Etching, aquatint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions)
Dimensions plate: 3 7/16 × 2 7/16" (8.7 × 6.2 cm); page: 5 1/2 × 4 5/16" (14 × 11 cm)
Publisher Bordas, Paris
Printer Lacourière, Paris
Edition 200
Credit Abby Aldrich Rockefeller Fund
Object number 374.1951.A16
Department Drawings and Prints

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Max Ernst

Max Ernst

French and American, born Germany. 1891–1976 234 works online

A key member of first Dada and then Surrealism in Europe in the 1910s and 1920s, Max Ernst used a variety of mediums—painting, collage, printmaking, sculpture, and various unconventional drawing methods—to give visual form to both personal memory and collective myth.

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