Kentridge made General at a time of escalating violence, a year before South Africa’s first democratic election, in which a newly freed Nelson Mandela was elected president. The work was created as a black-and-white engraving; this unusual color version was printed on a sheet that the artist first painted in watercolor.

Gallery label from

Impressions from South Africa, 1965 to Now, March 23–August 14, 2011 .

Gallery label from William Kentridge: Five Themes , February 24–May 17, 2010.

Created a year before South Africa's first nonracial democratic election, as right-wing opposition escalated and police brutality persisted, General isolates one of Kentridge's heartless protagonists. The vigorous line work here was printed from a rigid polycarbonate sheet the artist incised using an electric engraver. Kentridge made several experimental impressions, including this one, on sheets of paper that he first painted with watercolors—creating vivid coloration uncharacteristic of his work overall.

Medium Engraving and watercolor
Dimensions composition and sheet: 47 5/8 x 31 7/16" (121 x 79.8 cm)
Publisher David Krut Fine Art, London
Printer 107 Workshop, Melksham, England
Edition 35
Credit Linda Barth Goldstein Fund and Carol and Morton Rapp Fund
Object number 1046.2007
Department Drawings and Prints

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