Allan Sekula
Boy looking at his mother. Staten Island Ferry. New York harbor from the series Fish Story
February 1990
Silver dye bleach print
“Ships explode, leak, sink, collide,” Sekula notes in the first chapter of Fish Story, his photographic series depicting harbors and port cities around the world and the work needed to maintain them. In his images, Sekula often focuses on the everyday labor of sailors and dockers, who shuttle goods and services within the maritime economy. His approach adds narrative texture to documentary photography’s claim to objective representation. To capture the massive expansion of deregulated markets in the 1990s, Sekula’s project seeks to convey the perceptions of those experiencing the brunt of geographic trade amid globalized production and consumption.
208: Institutional Critiques, 2026
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Institutional Critiques
Gallery 208During the 1980s and ’90s, artists traced how the perception and value of art are determined by institutions within capitalist culture.
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