Max Ernst

Cover from Let There Be Fashion, Down with Art (Fiat modes pereat ars)

1920

Letterpress and line block with collage additions

Not on view

Let There Be Fashion, Down with Art ironically inverts the Latin saying “Let there be art, down with fashion,” thus announcing the end of traditional art. Here the rational world of science and industry have gone awry: the prints display diagrammatic, nonsensical equations, ineffectual measuring instruments, and a dysfunctional system of plumbs and weights. The portfolio also marks the first appearance of the artist’s assumed Dada identity, “Dadamax ERNST,” which supplants his signature on the second sheet.

Gallery label from

Max Ernst: Beyond Painting, September 23, 2017-January 1, 2018.

Medium Letterpress and line block with collage additions
Dimensions cover: 18 1/16 x 13" (45.9 x 33 cm)
Publisher Originally to be published byKairos-Verlag, Cologne, Sponsored by and begun withVerlag Arbeitsgemeinschaft bildender Künstler, Cologne, Completed withSchlomilch Verlag, Cologne
Printer Unidentified, possibly Druckerei Hertz, Cologne
Edition 60 announced; only a few known sets
Credit Purchase
Object number 239.1935.9
Department Drawings and Prints

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Max Ernst

Max Ernst

French and American, born Germany. 1891–1976 234 works online

A key member of first Dada and then Surrealism in Europe in the 1910s and 1920s, Max Ernst used a variety of mediums—painting, collage, printmaking, sculpture, and various unconventional drawing methods—to give visual form to both personal memory and collective myth.

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