LOUISE BOURGEOIS: COMPLETE BOOKS & PRINTS

Themes:

Figures, Nature, Spirals

Techniques:

Lithography

Description:

Lithograph, with red, blue, and black crayon, red ink, white gouache, black watercolor, and white pastel additions

Support:

Smooth, wove paper

Dimensions:

composition and sheet: 29 11/16 x 41 7/8" (75.4 x 106.3 cm)

Signature:

Not signed

Inscription:

The impression of state V that is not illustrated includes the following inscription: "Spike heels of / Rosamond, worn with / the Givency [sic] suit (1986) / NY DEC 14. 1996. / BAM poster HAMLET / Ophelia drowning / Louise Bourgeois"

Publisher:

unpublished

Printer:

SOLO Impression, New York

Edition:

2 known impressions of state V

Impression:

Not numbered

Edition Information:

Proof before the editioning of state VI.

The other known impression of state V is not in MoMA's Collection and is signed and inscribed by the artist on the verso. The inscription reads: "Spike Heels of / Rosamond, worn with / The Givency [sic.] suit (1986) / NY Dec 14. 1996. / BAM poster HAMLET / Ophelia drowning."

State Changes and Additions:

Matrices:
The progression of this composition, as seen in the Evolving Composition Diagram below, involved 8 lithography plates.

Plate 1 in red: figures.

Plate 2 in dark blue: horizontal line between figures, shoes, Adam’s apple, water.

Plate 3 in light blue: shading in Ophelia’s hair.

Plate 4 in turquoise: sky.

Plate 5 in dark blue: shading in Ophelia’s hair.

Plate 6 in black: horizontal line between figures, penis, Adam’s apple, shoes, eyes.

Plate 7 in light blue: waves and shading lines in water.

Plate 8 in dark blue: shading in sky, shading lines water, shading in Ophelia’s hair.

State Changes:
Plates 1, 4, 6, 7, and 8 printed.
Changes from state IV, in plate 8, in lithography: shading in sky added.

Background:

State VI of this composition was published as a benefit for the Brooklyn Academy of Music (BAM), a multi-arts center located in Brooklyn, New York. For more than 150 years, BAM has been the home for adventurous artists, audiences, and ideas—engaging both global and local communities. With world-renowned programming in theater, dance, music, opera, and film, BAM showcases the work of emerging artists and innovative modern masters.

BAM's Visual Arts Initiative, a program that connects the visual and performing arts, approached Bourgeois to produce a work to benefit the organization. Bourgeois offered "Hamlet and Ophelia," which was then reproduced on the program for the 1997 Spring Season.

The source drawing for "Hamlet and Ophelia" is Untitled, no. 135 of 220, from the series, "The Insomnia Drawings." The drawing was reproduced on the cover of "Otte," Bourgeois's 1995 rap album, with lyrics and vocals by the artist, music by Satch Hoyt and Ramuntcho Matta, and production by Brigitte Cornand.

Artist’s Remarks:

Inscription on the verso of the source drawing: "La confiance est [strikethrough] / devrait être / endémique petit à petit / je vais l'attraper / Sauvée par la Routine / 5 minutes at a time / Elle n'est pas Ophelia et ses cheveux / She is not Ophelia" center sheet, pencil, artist's hand; "HAPPY (FEB 14) / VALENTINE [sic] DAY" center sheet, red ink, artist's hand.

MoMA Credit Line:

Gift of the artist

MoMA Accession Number:

537.1997

This Work in Other Collections:

Mead Art Museum, Amherst College, Massachusetts (state VI)
Pennsylvania Academy of Fine Arts, Philadelphia (state VI)
Philadelphia Museum of Art, PA (state VI)

© The Easton Foundation/VAGA at ARS, NY