A domestic worker who had labored for many years in a convent before becoming a housekeeper, Louis painted floral motifs on household items, canvases, and boards. Her talent was recognized by one of her employers, the German art critic, dealer, and collector Wilhelm Uhde. The title Tree of Paradise suggests a concern with religious themes, and the work’s arrangement of jewel-like leaves recalls the stained glass windows of Gothic churches. Louis flattened the elements of landscape into a single plane; a tree extends diagonally across water, as grass and sky weave together to create a decorative interplay of patterns.
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