Provenance Research Project

This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.

Galerie Nierendorf, Berlin [1]; Karl Nierendorf (1889-1947), New York [2]; Estate of Karl Nierendorf, New York, 1947; sold to Alexander W. Pearlman (1914-2004), New York, March 17, 1954 [3]; acquired by The Museum of Modern Art, New York (Gift of Samuel A. Berger), 1955.

[1] Artist's questionnaire, Collection files, Department of Drawings, The Museum of Modern Art, New York.
[2] Karl Nierendorf emigrated to New York in 1936. Included in the "International Watercolor Exhibition, The Art Institute of Chicago, April 28-May 30, 1938 (no. 40: Café).
[3] See "Court Backs Art Sale," The New York Times, March 18, 1954.

Provenance research is a work in progress, and is frequently updated with new information. If you have any questions or information to provide about the listed works, please email [email protected] or write to:

Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019

Medium Watercolor and ink on paper
Dimensions 19 1/4 x 14 3/8" (48.9 x 36.5 cm)
Credit Gift of Samuel A. Berger
Object number 7.1955
Department Drawings and Prints

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Otto Dix

Otto Dix

German, 1891–1969 94 works online

German artist Wilhelm Heinrich Otto Dix is best known for paintings and prints filled with anguished, exploited human figures representing the turmoil of his time.

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