Inkjet print
Sepuya’s works accentuate the intersections of race, gender, and desire within the history of portrait photography. The artist is always careful to note that the fragmentation in his images (the cropped limbs, hidden features, and uncertain relationships between body parts) is not arbitrary; rather, it is the result of deliberate decision-making. At the same time, the confusion of positions—Where is the camera? The model?—forces us to confront our own perspectives.
Being: New Photography, 2018
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Photography
For much of the history of the medium, a photograph was defined as a chemical image rendered visible by the action of light on photosensitive compounds.
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Objects of Desire
Gallery 209Touching on themes of legibility and identity, the artworks in this gallery pose the question: What roles do desire and history play in how we understand and recognize each other?
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