John Outterbridge

Broken Dance, Ethnic Heritage Series

c. 1978-82

Stainless steel, wood, leather, sewn cloth, and ammunition box

On view MoMA, Floor 4, 408 The David Geffen Wing

From scavenged metals and rags, Outterbridge constructed a “dancer” with “broken” appendages. The dancer sits splayed atop a box of ammunition retrofitted with an antenna so that it looks like a radio. The artist used discarded objects picked up off the streets of his South Central Los Angeles neighborhood to make this work. For Outterbridge, assemblage provided a direct means of becoming involved with his environment. “The work engaged part of the experience of the reinvention of things,” he explained.

Gallery label from

2025

Gallery label from Take an Object , 2014

From scavenged metals and rags, Outterbridge constructed a “dancer” with truncated, or “broken,” appendages that sits, splayed, atop a box of ammunition retrofitted with an antenna so that it looks like a radio. The materials he used to make this work began as refuse—discarded objects picked up off the streets of his South Central Los Angeles neighborhood. For Outterbridge, assemblage provided a direct means of becoming involved with his environment. As he has explained, “The work engaged part of the experience of the reinvention of things.”

Medium Stainless steel, wood, leather, sewn cloth, and ammunition box
Dimensions 34 x 29 1/4 x 33" (86.4 x 74.3 x 83.8 cm)
Credit Gift of Marlene Hess and James D. Zirin
Object number 56.2013
Department Painting & Sculpture

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Audio from the playlist Collection 1950s–1970s

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