In his video installations Serious Games I–IV, Harun Farocki explores how the U.S. military employs video game technology to train troops for war and to treat an aftereffect of war, post-traumatic stress disorder (PTSD). Filmed at the United States Marine Corps Air Ground Combat Center, Serious Games I: Watson is Down pairs footage of soldiers at computers engaging in combat-simulation training with scenes from the video games. In Serious Games III: Immersion, Farocki presents footage of a role-playing exercise in which military psychologists demonstrate how to use the PTSD program on their colleagues, who describe traumatic wartime experiences. On a second channel, their descriptions play out as virtual renderings. Farocki calls attention to the subtle differences between the simulations for combat training and PTSD in Serious Games IV: A Sun with No Shadow. With the former, the sun can be programmed to cast shadows in the virtual combat zones, while the latter, less expensive technology does not offer this feature.

Additional text from

[What Is Contemporary Art? online course, Coursera, 2019] (https://www.coursera.org/learn/contemporary-art/supplement/b4Qwc/jodi-on-turning-desktop-order-inside-out)

Medium Series of four video installations (color, sound)
Dimensions Duration variable
Credit Committee on Media and Performance Art Funds
Object number 11.2011.1-4
Department Media and Performance

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Harun Farocki

Harun Farocki

German, 1944–2014 43 works online

German filmmaker Harun Farocki began making films in the late 1960s amid a highly politicized cultural milieu. Citing the influence of such Marxist cultural practitioners as theater director Bertolt Brecht, philosopher Theodor Adorno, and film director Jean-Luc Godard , Farocki consistently addressed two principal subjects: the practices of labor and the production of images.

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