In 1969 Gego coined the term reticuláreas for works that imbued her earlier graphite drawings with material and dimensional form. Fabricated by knotting lengths of wire into pliable, planar structures, these large-scale lattices are reminiscent of nets and weavings. Rejecting the designation of sculpture, she instead courted affinities with textiles—here specifically with cloth that drapes in stiff folds as it hangs freely in space.

Gallery label from

Woven Histories: Textiles and Modern Abstraction, April 20–September 13, 2025

Provenance

1971, Gego (Gertrud Goldschmidt)
[1973, Galería Conkright, Caracas]
Nancy L. and Frank H. Porter, Cleveland, Ohio
2005 - 2016, Colección Patricia Phelps de Cisneros, New York, and Caracas, purchased through Sotheby's, New York, Latin American Art, Sale N08131, lot 50, November 17, 2005
2016 / 2018, The Museum of Modern Art, New York, acquired as a gift from Patricia Phelps de Cisneros

Medium Stainless steel, copper, lead, and plastic
Dimensions 80 11/16 x 55 1/8 x 21 5/8" (205 x 140 x 55 cm)
Credit Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Alexis Lowry
Object number 814.2016
Department Painting & Sculpture

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Gego (Gertrud Goldschmidt)

Gego (Gertrud Goldschmidt)

Venezuelan, born Germany. 1912–1994 74 works online

###Leer en español Figura emblemática de la abstracción en las décadas de 1960 y 1970 en Venezuela, Gego (Gertrud Goldschmidt) nació en 1912 en Hamburgo, Alemania, y en 1938 se graduó en ingeniería y arquitectura en la Universidad de Stuttgart.

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