The Surrealists of the 1920s and '30s played a game they called "exquisite corpse," a collaborative activity in which each individual would add to a drawing or text without seeing the contributions of the other participants. The surprising results were thought to reveal the subconscious. A long–time member of the Surrealist group, Tanning continued to use the technique in work she did alone, here by cutting etchings into strips to allow for the mixing of parts.

Gallery label from

Wunderkammer: A Century of Curiosities, July 30–November 10, 2008.

Author (of text)Léna Leclercq
Medium Illustrated book with nine etchings, two with aquatint, and one with drypoint (eight pages cut horizontally into thirds)
Dimensions plate (each, uncut): 7 5/8 x 6" (19.4 x 15.3 cm); page (each, uncut): 12 x 9 3/4" (30.5 x 24.7 cm); overall: 12 5/16 x 10 1/8 x 3/8" (31.2 x 25.7 x 1 cm)
Publisher Éditions Georges Visat & Cie., Paris
Printer Éditions Georges Visat & Cie., Paris
Edition 91
Credit Gift of the Curt Valentin Estate (by exchange)
Object number 78.1967.1-9
Department Drawings and Prints

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Dorothea Tanning

Dorothea Tanning

American, 1910–2012 17 works online

In 1936 Dorothea Tanning visited The Museum of Modern Art on the occasion of Fantastic Art, Dada, Surrealism , an exhibition of nearly 700 paintings, sculptures, drawings, prints, photographs, and films that each presented a radical departure from day-to-day reality.

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