This weekend multimedia artist Elsa Mora, who designed one of MoMA’s signature holiday cards this year, will bring her incredible cut-paper creations to the MoMA Design Store in Soho. Shoppers, creatives, and art aficionados alike can stop by to see her work come to life, and meet with Mora in person.
Posts in ‘Artists’
Meet Artist Elsa Mora at the MoMA Design Store Soho
Are You Inspired to Go Beyond the Cut-Out?

Installation view of MoMA Studio: Beyond the Cut-Out. Photo: Sarah Kennedy, 2014
There has been a lot of excitement around the opening of the exhibition Henri Matisse: The Cut-Outs. The Museum has been teeming with energetic visitors who see it and walk away feeling buoyed and inspired. We anticipated that this would be a common response to the exhibition, so over the past few months, in dialogue with the exhibition curators—Karl Buchberg, Jodi Hauptman, and Samantha Friedman—we have been designing educational programming that can complement a visitor’s experience in the galleries and provide an outlet for the creative energy that Matisse’s cut-outs generate.
Robert Gober in Time

Cover of Robert Gober: The Heart Is Not a Metaphor, published by The Museum of Modern Art
Collateral Damage: Lari Pittman’s Flying Carpet with Magic Mirrors for a Distorted Nation

Lari Pittman. Flying Carpet with Magic Mirrors for a Distorted Nation. 2013. Cel-vinyl, spray enamel on canvas over wood panel, 108 x 360 1/8” (274.3 x 914.7 cm). The Museum of Modern Art, New York. Gift of the Steven and Alexandra Cohen Foundation, The Broad Art Foundation, and Jill and Peter Kraus. Courtesy Regen Projects, Los Angeles. © Lari Pittman
How does an artist approach the grand tradition of history painting in the era of late capitalism, a time marked not by great heroes and legendary victories but by systemic inequity and unrelenting violence? With Flying Carpet with Magic Mirrors for a Distorted Nation, part of a group of three “flying carpet” paintings that was the centerpiece of his 2013 exhibition From a Late Western Impaerium, Lari Pittman considers the heavy psychological toll of life under a declining empire.
Matisse’s Cut-Outs at MoMA: A Look Back
On October 12, the exhibition Henri Matisse: The Cut-Outs—the largest presentation of this final chapter of Matisse’s work ever mounted— will open at MoMA. Much of the anticipation surrounding this show stems from the fact that this visually vibrant and conceptually radical body of work has not been seen on this scale in New York in over 50 years.
Toulouse-Lautrec’s Portraits of Paris: “I don’t detail you. I totalize you!”

Cover of the publication The Paris of Toulouse-Lautrec: Prints and Posters from The Museum of Modern Art, published by The Museum of Modern Art
A Literary Guide to a Sensory Experience

Cover of Lygia Clark: The Abandonment of Art, 1948–1988, published by the Museum of Modern Art, New York
Lygia Clark: The Abandonment of Art, 1948–1988 is the companion catalogue to the exhibition under the same title, co-organized by Luis Pérez-Oramas, The Estrellita Brodsky Curator of Latin American Art, MoMA, and Connie Butler, Chief Curator, Hammer Museum, with Geaninne Gutiérrez-Guimarães and Beatriz Rabelo Olivetti, Curatorial Assistants, Department of Drawings and Prints, MoMA. The first comprehensive retrospective to take place in North America, this landmark exhibition is matched by the accompanying publication, containing 13 chapters and 380 plates.
A Window into MoMA’s Collection of Parisian Avant-Garde Theater Programs
Henri de Toulouse-Lautrec (1864–1901) was a modern chronicler of Belle Époque Paris. Entrenched in Montmartre life, Lautrec eagerly recorded the late 19th-century dance halls, cabarets, and restaurants integral to his social life with honesty, humor, and liveliness. One of his favorite forms of entertainment was the theater;
Looking Back at MoMA Studio: Breathe with Me…and Beyond
This past May and June, MoMA’s Education and Research Building mezzanine was the site of MoMA Studio: Breathe with Me, an interactive space that explored the intersections between art, therapeutic practice, and the ways in which we relate to objects and people through physical encounters.
The Art of Picasso as You’ve Never Seen It Before

Cover image of the e-book Picasso: The Making of Cubism 1912–1914, published by MoMA.
MoMA recently launched its first digital-only publication, Picasso: The Making of Cubism 1912–1914, edited by Anne Umland and Blair Hartzell, with Scott Gerson. This immersive, interactive study features over 400 high-resolution images and the latest research on 15 groundbreaking Cubist works created by Picasso between 1912 and 1914, and is available as an iPad app through the App Store, or an interactive PDF through MoMAstore.org.
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