Ballpoint pen and pencil on colored graph paper
Not on view
This page is from Cunningham’s dance Suite by Chance, created the same year as the premiere of Cage’s 4’33”. Lifelong collaborators in art and life, Cage and Cunningham frequently allowed their respective music and dance compositions to intersect.
In the early 1950s, Cunningham was inspired by Cage to add an element of unpredictability to his work by following chance operations, such as the flipping of a coin, to choreograph the body’s movements. Cunningham noted, “Suite by Chance is exactly what the title says. . . . In applying chance to space I saw the possibility of multidirection. Rather than thinking in one direction, i.e. to the audience in a proscenium frame, direction could be four–sided and up and down.” Christian Wolff—credited for introducing Cage to Zen Buddhism—composed a score for magnetic tape to accompany Suite by Chance, making it an early dance piece incorporating electronic music.
There Will Never Be Silence: Scoring John Cage’s 4’33”, October 12, 2013–June 22, 2014.
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