Oil on wood, nails, staples, and metal on wood panel
Not on view
This work is one of two of Miró's 1930 wood and metal constructions that are known to have survived. These constructions were made from pieces of wood that could easily have been found at a carpentry shop. Sharp nails are hammered through the red wooden circle at the top left of this composition. Their tips aim outward in an aggressive challenge to traditional artistry and figuration.
Joan Miró: Painting and Anti–Painting 1927–1937, November 2, 2008–January 12, 2009.
Gallery label from 2015.
This work is one of two of Miró's 1930 wood and metal constructions that are known to have survived. These constructions were made from pieces of wood that could easily have been found at a carpentry shop. Sharp nails are hammered through the red wooden circle at the top left of this composition. Their tips aim outward in an aggressive challenge to traditional artistry and figuration.
Provenance Research Project
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
The artist, Montroig
André Breton, Paris. By 1936 – 1937
Paul Eluard, Paris. Acquired from André Breton, 1937
The Museum of Modern Art, New York. Acquired from Paul Eluard, 1937
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Joan Miró
Spanish, 1893–1983 487 works onlineJoan Miró’s painting The Hunter (Catalan Landscape) brings together the real and the imaginary, abstraction and figuration, and image and text in a way that would characterize much of his work to come.
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