Marcel Duchamp

Box in a Valise (From or by Marcel Duchamp or Rrose Sélavy)

1935-41

Leather valise containing miniature replicas, photographs, color reproductions of works by Duchamp, and one "original" drawing [Large Glass, collotype on celluloid, 7 1/2 x 9 1/2" (19 x 23.5 cm)]

Not on view

Duchamp assembled twenty-four deluxe boxes, known as Series A, through 1949. Each box was signed, numbered, and housed in a leather suitcase with a unique artwork under the lid. Duchamp gifted and sold the boxes, priced at around $200, to friends, collectors, and institutions. Each of the initial boxes, including those for his patrons Louise and Walter Arensberg as well as MoMA, featured a unique “coloriage original,” produced as color guides for his printers. Later, Duchamp incorporated new artworks. The box for his lover, the artist Maria Martins, contained Wayward Landscape (Paysage fautif) (1946), an abstract composition made of seminal fluid.

Gallery label from

Marcel Duchamp, April 12–August 22, 2026

Medium Leather valise containing miniature replicas, photographs, color reproductions of works by Duchamp, and one "original" drawing [Large Glass, collotype on celluloid, 7 1/2 x 9 1/2" (19 x 23.5 cm)]
Dimensions 16 x 15 x 4" (40.7 x 38.1 x 10.2 cm)
Credit James Thrall Soby Fund
Object number 67.1943.a-rrr
Department Painting & Sculpture

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Marcel Duchamp

Marcel Duchamp

American, born France. 1887–1968 188 works online

When Marcel Duchamp created his most famous work—the industrially produced urinal Fountain —it was largely ignored. Fountain was the high point of Duchamp’s campaign to dismantle and expand the boundaries of what constitutes a work of art; it had begun four years earlier, when he asked, “Can one make works that are not ‘of art’?

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