Man Ray (Emmanuel Radnitzky)

Emak Bakia

1962 (replica of 1926 original)

Cello fingerboard and scroll with horsehair

Not on view

Like many Surrealist objects, Emak Bakia materialized from a combination of chance discovery and artistic invention. Man Ray found the elegant amputated neck of a double bass at a flea market and paired it with the long, flowing hair of a horse. The light gray horsehair feminizes the instrument's curvaceous forms and is the material typically used to make its bow. Man Ray's enigmatic Basque title for the work, which translates as "leave me alone," is adapted from his 1926 film of the same name. As the title underscores, this object is ultimately an instrument of frustration, from which no music will ever flow.

Gallery label from

The Erotic Object: Surrealist Sculpture from the Collection, June 24, 2009–January 4, 2010.

Medium Cello fingerboard and scroll with horsehair
Dimensions 29 1/4 x 5 3/4 x 10 3/4" (74.2 x 14.5 x 27.1 cm), on wood base in two parts, 1 5/8 x 11 x 11 1/8" (4.2 x 27.9 x 28.2 cm)
Credit Kay Sage Tanguy Fund
Object number 5.1967
Department Painting & Sculpture

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Man Ray (Emmanuel Radnitzky)

Man Ray (Emmanuel Radnitzky)

American, 1890–1976 190 works online

So enthused Man Ray (born Emmanuel Radnitzky) in 1922, shortly after his first experiments with camera-less photography. He remains well known for these images, commonly called photograms but which he dubbed “rayographs” in a punning combination of his own name and the word “photograph.

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