Oil on canvas
Provenance Research Project
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Giorgio de Chirico, Paris and Ferrara.
[Paul Guillaume (1891-1934), Paris]
By 1926 - ?, Paul Éluard (1895-1952), Paris.
[Paul Guillaume, Paris]
[Estate of Paul Guillaume]
By February 24, 1935 - August 21, 1935, Pierre Loeb (1897-1964), Paris, probably purchased from the estate of Paul Guillaume.
August 21, 1935 - December 30, 1940, Pierre Matisse Gallery (stock no. 372), New York, purchased from Pierre Loeb.
December 30, 1940 - 1969, James Thrall Soby (1906-1979), New Canaan, Connecticut, acquired by exchange from Pierre Matisse Gallery.
1969, The Museum of Modern Art, New York, acquired as gift from James Thrall Soby.
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Giorgio de Chirico
Italian, born Greece. 1888–1978 109 works onlineTo live in the world as in an immense museum of strange things.” So wrote the Italian artist Giorgio de Chirico, who made paintings of classical piazzas populated with spectral figures and shadows, knitting together purposefully distorted perspectives and tilted grounds.
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Perspective
Technique used to depict volumes and spatial relationships on a flat surface, as in a painted scene that appears to extend into the distance.
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A Surreal Lens
Gallery 517In 1924, André Breton published his Manifesto of Surrealism, which, guided by Sigmund Freud’s psychoanalytic theories, declared a radical break from the rationalism of modern society in favor of imagination, erotic desire, and unconscious thought.
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