Williams named this work after his grandfather and a graiti tag that he saw around New York and Los Angeles, L.A.M.F. (Like a Motherfucker). The title’s invocation of personal and communal experience mirrors the artist’s approach to color: “I always say I’m more interested in social color than I am in structural color.” Elaborating, Williams has described his painting style as intuitive rather than systematic. Here, bands of color cut through stacked shapes like trapezoids, putting each component of the composition in relation to one another despite the lines of unprimed canvas that separate them.

Gallery label from

415: Hard Edges, Expanded Fields, 2026

Medium Acrylic and metallic paint on canvas
Dimensions 9' 7 1/4" x 9' 1 7/8" (292.7 X 279.1 cm)
Credit Gift of Carter Burden, Mr. and Mrs. John R. Jakobson and purchase
Object number 1009.1969
Department Painting & Sculpture

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