Before 1900 Redon made drawings almost exclusively in black and white; afterward he began to focus on paintings and pastels in sensuous color. Many of his late works in color took nature’s small beauties, such as butterflies, seashells, and flowers, as objects of contemplation and presented them with a fantastic intensity. Redon was a Symbolist; he believed that art could transcend the everyday and open onto a marvelous world of the mind. Around 1905 he spoke of the painter’s task as a privileged one: “Painting consists in using a special sense, an innate sense for composing a beautiful substance. To do as nature does: create diamonds, gold, sapphires, agates, precious metal, silk, flesh: it is a gift of delicious sensuality.”

Gallery label from

2011.

Provenance Research Project

This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.

By 1937 - c. 1956, Georges Renand (1879-1968), Paris.
C. 1956 - 1964, Wildenstein & Co., Paris/New York, acquired from Georges Renand family.
1964, Mrs. (Margaret) Werner E. Josten, New York, acquired from Wildenstein & Co.
1964, The Museum of Modern Art, acquired as gift from Margaret Josten.

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Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019

Medium Oil on canvas
Dimensions 29 1/8 x 21 5/8" (73.9 x 54.9 cm)
Credit Gift of Mrs. Werner E. Josten in memory of her husband
Object number 454.1964
Department Painting & Sculpture

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