Brassaï (Gyula Halász)

Kiki was celebrated among avant-garde artists, who haunted the bars and cabarets of Montparnasse, her Paris neighborhood, in the 1920s. She is pictured here in the full glow of her own professional persona, as an authentic descendant of the ribald heroines of the fifteenth-century poet François Villon. The accordionist, who gazes at her with awe and affection, is unidentified.
Brassaï's photographs are the last great expression of a tradition of picturing Parisian popular culture that included such masters as Edgar Degas and Henri de Toulouse-Lautrec. By the time this picture was made, that tradition had become tinged with nostalgia for the past, and was soon to be obliterated by the engines of modernity and the business of tourism.
Brassaï's blunt, no-nonsense pictures, such as this one, in which the subject is often fixed by the unapologetic scrutiny of a flash, soon became, and remain, a model of photography's fierce curiosity and proof of the mystery of unvarnished photographic fact—a foundation of what came to be called the documentary tradition.