Max Beckmann

The Feast of the Prodigal Son (Die Heimkehr des Verlorenen Sohnes wird gefeiert)

c. 1918

Gouache and watercolor over ink and pencil drawing on parchment

Not on view

Provenance Research Project

This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.

Graphisches Kabinett J.B. Neumann, Berlin/Munich, by 1921; Museum Folkwang, Essen, 1929 [1]; removed as "degenerate art" by the Reich Ministry for Public Enlightenment and Propaganda, Berlin, 1937 [2]; on consignment to Karl Buchholz, Berlin, 1939; to Buchholz Gallery (Curt Valentin), New York, 1939; acquired by The Museum of Modern Art, New York, April 13, 1939.

[1] See Hartwig Fischer, ed., 'Das schönste Museum der Welt,' Sammlung Folkwang bis 1933, Hartwig Fischer, ed., exh. cat. Essen: Folkwang Museum, 2010, p. 348.
[2] EK no. 3799: Die Rückkehr des verlorenen Sohnes

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Provenance Research Project
The Museum of Modern Art
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New York, NY 10019

Medium Gouache and watercolor over ink and pencil drawing on parchment
Dimensions 14 1/4 x 11 3/4" (36.1 x 29.7 cm)
Credit Purchase
Object number 263.1939
Department Drawings and Prints

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Max Beckmann

Max Beckmann

German, 1884–1950 218 works online

Max Beckmann dreamed up a world of actors, cabaret singers, heroes, and thugs, whose dramas unfold on city streets, at masquerades and carnivals, and in candlelit chambers.

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