Bearden began to move away from figurative painting in the mid 1940s. Featuring bold, black contour lines and geometric shards of color, his series The Passion of Christ nevertheless retains some figurative elements: a raised arm is visible at right, and a group of religious worshippers at lower left. He Is Arisen was Bearden’s first work to enter a museum collection; MoMA purchased it the same year it was made. In response to a questionnaire about the work, Bearden wrote: “My concern is with those universals that must be digested by the mind and cannot be merely seen by the eye.”

Gallery label from

2024

Medium Watercolor and ink on paper
Dimensions 26 x 19 3/8" (66 x 49.2 cm)
Credit Advisory Committee Fund
Object number 158.1945
Department Drawings and Prints

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