Provenance Research Project
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
December 1912 - March(?) 1913, Pablo Picasso, Paris.
March(?) 1913 - 1914, Galerie Kahnweiler, Paris, purchased from the artist.
1914 - May 7, 1923, Kahnweiler collection and gallery stock, sequestered during World War I by the French government as enemy property and sold through Hôtel Drouot (4th sale of Kahnweiler collection, May 7-8, 1923, lot 89, lot of fourteen works on paper), Paris.
C. 1927, Pierre and Dollie Chareau's apartment, Paris.
? - at least 1965, Jean and Annie Dalsace, Paris.
By April 1980 - February 1984, Rolf und Margit Weinberg, Zurich, possibly purchased from Sotheby’s, London or New York.
February 1984 - June 1984, Fischer Fine Art, London, purchased from Rolf und Margit Weinberg.
June 1984 - March 1985, Janie C. Lee Master Drawings (Hermine Chivian-Cobb), New York, purchased from Fischer Fine Art.
March 1985, The Museum of Modern Art, New York, purchased from Janie C. Lee Master Drawings and acquired as fractional gift (completed December 9, 2002) from Donald B. Marron, New York.
Provenance research is a work in progress, and is frequently updated with new information. If you have any questions or information to provide about the listed works, please email [email protected] or write to:
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Pablo Picasso
Spanish, 1881–1973 1251 works onlineWith these words, Picasso shed light on two central principles of his artistic production over nearly 80 years: his openness to a diverse range of styles, subject matters, and mediums, and his resistance to the notion that change in art necessarily corresponds to improvement or progress.
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Charcoal
Among the earliest known drawing materials, charcoal sticks are produced by burning vines or twigs of wood in an airless atmosphere.
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