This painting’s titular juggler (or magician) stands on the platform of a carnivalesque cart filled with fantastical objects and animals. He performs before seemingly identical figures robed in a single gray cloak. To produce this composition, Varo worked in the manner of early Renaissance masters: she transposed preparatory drawings onto a gesso-primed panel, which had been scratched to give the surface variation. She also deployed decalcomania, a technique favored by the Surrealists in which materials such as paper or aluminum foil are pressed onto wet paint to transfer a pattern that may then be embellished. This textured effect can be seen in the magician’s garments and in the background trees.
2024
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Remedios Varo
Spanish, 1908–1963 3 works onlineRaised in Madrid, Varo learned observational drawing from her father and then trained as a painter. Moving to Barcelona and Paris in the 1930s offered liberation from academic painting and family expectations, exposing Varo to modernist thinkers and a close association with Surrealist artists.
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