During the 1960s, Saar’s three daughters—Lezley, Alison, and Tracye—were simultaneously her full-time job and her models and muses. Girl Children depicts them together, with the oldest in strict profile and the middle child peeking out from behind the baby, who is front and center. Both playful and mysterious, this and related works celebrate the intimacy of family and hint at Saar’s developing interest in ancestral lineage. They also prioritize the experiences of a woman artist and mother, unrecognized by many in the art world in the 1960s.
Betye Saar: The Legends of Black Girl’s Window, October 21, 2019–January 4, 2020
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Betye Saar
American, born 1926 49 works onlineIn Betye Saar’s work, time is cyclical. History and experiences, emotion and knowledge travel across time and back again, linking the artist and viewers of her work with generations of people who came before them.
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