Etching and aquatint with relief-printed found objects
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Saar’s “mystique city” of 1965 is populated by animals and mysterious figures peeking through windows, its skyline a mixed row of found shapes and curious details. An arc of suns, moons, and stars rises above it, inspired by a graphic the artist saw above a newspaper’s astrology column. These forms, in various arrangements and sizes, are a regular motif in the artist’s prints from 1965 on, made from copper shapes that Saar purchased in bulk at a jewelry store.
Betye Saar: The Legends of Black Girl’s Window, October 21, 2019–January 4, 2020
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Betye Saar
American, born 1926 49 works onlineIn Betye Saar’s work, time is cyclical. History and experiences, emotion and knowledge travel across time and back again, linking the artist and viewers of her work with generations of people who came before them.
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