Simon Denny
Modded Server-Rack Display with Some Interpretations of David Darchicourt Designs for NSA Defense Intelligence
2015
UV prints on Revostage platforms, powder-coated 19" server racks, Cisco Systems WS-C2948G switches, LAN cables, Bachmann power strips, HP Proliant 380DL G5 servers, steel trays, plexiglass and aluminum model, Maisto Humvee 1:18 model car, vinyl and plexiglass letters on plexiglass, prints on cardboard puzzle and laminated cardboard box, Picard steel tool box, screwdrivers, hammer, painting brush, wrench, socket wrench, bits, saw, UV prints on plexiglass, Tamiya 1:48 U.S. Modern 4x4 Utility Vehicle w/Grenade Launcher model cars and figures, CNC/routed MDF, VisiJet PXL Color Bond 3D print, UV print on Aludibond, Fisso stainless steel spacers, anodized aluminum panel, embossed gilded brass medallion, laser-cut plexiglass letters, powder-coated steel and aluminium components, UV print on sandblasted laminated safety glass, and LED strips
Not on view
In 2013, former United States government contractor Edward Snowden leaked classified National Security Agency (NSA) documents regarding global surveillance programs run by the government in cooperation with telecommunication companies. The leak included PowerPoint slides, indicating that the NSA, like many entities, uses imagery to internally communicate its ideas, goals, and methods. Artist Simon Denny makes use of the slides in his art, arguing that they "have become retroactively some of the most important artistic images created today."
In this work, Denny also incorporates the presentation tactics of government and corporate trade shows. Raised up on a platform, the structure's main frame is built from computer server racks. Inside, Denny has arranged a series of printed signs and three-dimensional dioramas, bringing together graphics, charts, and language borrowed from the NSA's internal marketing. All of the imagery has been appropriated from the website of the graphic designer David Darchicourt, who worked as creative director for the NSA from 1996 to 2012. Denny hopes that by bringing these communication tools into an "art context, where we are used to looking at images and unpacking them," we might better understand why and how such visual methods were employed by the NSA in its treatment of classified information and gain insight into the culture produced by this powerful government organization
Unfinished Conversations, March 19-July 30, 2017.
Explore more
From MoMA Design Store
Installation views
We have identified this work in the following photos from our exhibition history.
Licensing
Artwork or archival images
If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
Audio and film clips
MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit Circulating Film and Video Library.
Text from a publication or the archives
If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to [email protected].
Feedback
This record is a work in progress. If you have additional information or spotted an error, please fill out this feedback form.