Lacquer on wood, two parts
Made between 1976 and 1982, Genzken’s Ellipsoids are hand-painted monumental wooden floor sculptures that touch the floor at only one point. Appearing to hover above the surface, these works express the artist’s lifelong interest in precision engineering. Genzken based the sculptures’ design on geometrical calculations of an ellipse (an elongated circle), for which she enlisted the help of a computer programmer. Her embrace of computer technology is at odds with the Ellipsoids’ handmade qualities. When the works first debuted, critics and other artists compared them to crafted objects like knitting needles, a seemingly gendered interpretation that led the artist to describe them as “weapons.”
2023
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Post-Atomic Abstraction
Gallery 203During the final years of the Cold War and in the decades that followed, artists in Germany and the United States faced a brave—and contradictory—new world.
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