Wood, iron, rubber, painted epoxy, painted ceramic, painted canvas, painted wig, chair, and offset print on paper
Not on view
Described by the artist as “self-portrait as a building,” Room with Chairs and Factory is part of Manders’s ongoing exploration of self through architecture. This installation portrays a suspended moment, a kind of snapshot of the artist’s studio midway through the creation process. “Although I frequently spend years on a composition, it has to appear as if it’s been made without any interruption and left behind a moment ago.” Fox/Mouse/Belt is an example: it looks like it was molded out of wet clay when in fact it was cast in bronze. Ironically, a long process was needed to achieve the appearance of haste.
2019
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