Deeply embedded in contemporary life, the @ symbol is actually centuries-old. Some scholars believe it dates back to the sixth century AD; others believe it originated in sixteenth-century Florentine trade as a symbol of an amphora, a vessel whose size became a standard unit of measure. The @ began to appear on typewriter keyboards in the nineteenth century. Because of its use in commerce and accounting, it became known as the “commercial a.” In 1971, when Tomlinson engineered the world’s first email system for the US government’s Advanced Research Projects Agency Network (ARPANET), he chose the @ symbol to connect a user’s name and the location in the host terminal because it was an existing and underused key on the keyboard as well as a fitting preposition.

Gallery label from

Pirouette: Turning Points in Design, January 26, 2025–November 15, 2025

Gallery label from Never Alone: Video Games and Other Interactive Design , September 10, 2022–July 16, 2023

Some scholars believe the @ symbol dates as far back as the sixth century; others believe that it originated in 16th-century Venetian trade as an abbreviation of “amphora,” a terra-cotta vessel whose size became a standard unit of measure. Since the 19th century, @ has appeared on standard keyboards as the “commercial a,” used mostly by accountants. In 1971, when Tomlinson created the world’s first email system for the US government’s Advanced Research Projects Agency Network (ARPANET), he adopted @ as a stand-in for the technical programming language indicating a message’s destination—repurposing an underused symbol for a brand-new technology.

Gallery label from Born Out of Necessity , March 2, 2012–January 28, 2013

Some scholars believe the @ symbol dates back to the sixth century, when scribes simplified the Latin word ad (at) by exaggerating the upstroke of the letter d and curving it over the a. Others believe that the symbol had its genesis in sixteenth-century Venetian trade as an abbreviation for amphora, a standard-size terra-cotta vessel employed by merchants that became a unit of measure. The word à in Norman French might be another source for @, which was adopted in northern Europe to mean "each at," indicating price, its accent eventually becoming @'s curl. Since the nineteenth century, @ has appeared on standard typewriter and computer keyboards as the "commercial a," used, until fairly recently, almost exclusively by accountants to mean "at the rate of."

In 1967, Tomlinson joined the technology company Bolt Beranek and Newman, where in 1971 he created the world's first e-mail system for the United States government's Advanced Research Projects Agency Networks (ARPAnet). He adopted @ as a stand-in for the long and convoluted programming language indicating a message's destination. This was a design decision of extraordinary elegance and economy—repurposing an existing, available, and underutilized symbol to adapt the standard keyboard to a revolutionary new technology. The sign's new function is in keeping with its origins: in computer language, as in financial transactions, @ designates a relationship between two entities, establishing a link based on objective and measurable rules. The sign is now part of everyday life all over the world, demonstrated by the affectionate names it has in different cultures. Germans, Poles, and South Africans call @ "monkey's tail," Chinese see a little mouse, and Italians and French a snail. The Finnish know it as the miukumauku, the "sign of the meow," because it resembles a curled-up sleeping cat.

Medium ITC American Typewriter Medium
Object number 151.2010
Department Architecture & Design

Explore more

Installation views

We have identified this work in the following photos from our exhibition history.

How we identified these works
In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff.

If you notice an error, please contact us at [email protected].
Licensing
To reproduce installation views, please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). You will need to include the object identification number found in the caption.
Feedback
This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].

Licensing

Artwork or archival images

If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

Audio and film clips

MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit Circulating Film and Video Library.

Text from a publication or the archives

If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to [email protected].

Feedback

This record is a work in progress. If you have additional information or spotted an error, please fill out this feedback form.