Cut-and-pasted gelatin silver prints with crayon and transfer type on printed paper with typewriting on cut-and-taped paper
Not on view
In this poster mockup referencing Leonardo da Vinci’s painting The Last Supper, Edelson collaged over the faces of Jesus and his disciples with those of her friends and idols, including artists Alma Thomas, Yoko Ono, Faith Ringgold, Agnes Martin, and Alice Neel. According to Edelson, she had “the double pleasure of presenting the names and faces of many women artists, who were seldom seen in 1972 . . . while spoofing the male exclusivity of the patriarchy.” Aside from Georgia O’Keeffe in the role of Jesus, all the other women are randomly placed, and in a gesture of solidarity, Edelson opted not to have any of her peers in the traitorous role of Judas.
"Collection: 1940s—1970s", 2019
Explore more
Feminist art
Art that seeks to challenge the dominance of men in both art and society, to gain recognition and equality for women artists, and question assumptions about womanhood.
Learn more →
From MoMA Design Store
Installation views
We have identified this work in the following photos from our exhibition history.
Licensing
Artwork or archival images
If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
Audio and film clips
MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit Circulating Film and Video Library.
Text from a publication or the archives
If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to [email protected].
Feedback
This record is a work in progress. If you have additional information or spotted an error, please fill out this feedback form.