Provenance
The artist.
Pedro Vallenilla Echeverría, Caracas.
Juan Liscano, Caracas.
Fifa Soto.
José Sahagun.
1982 - 1998, Unknown Private Collection, New York, purchased through Sotheby's, New York, "18th, 19th and 20th Century Latin American", lot 23, November 1982.
1998 - 2008, Colección Patricia Phelps de Cisneros, New York and Caracas, purchased through Christie's, New York, "Important Latin American Paintings, Drawings and Sculpture", sale 8888, lot 5, May 29, 1998.
2008, The Museum of Modern Art, New York, acquired as promised gift from Patricia Phelps de Cisneros.
Explore more
Armando Reverón
Venezuelan, 1889–1954 3 works onlineHow can one speak of Armando Reverón without bringing up the light of Venezuela’s Caribbean coast? Blinding and all-encompassing, it bathes the fishing village of Macuto, where the artist established his household in the early 1920s.
Learn more →
From MoMA Design Store
Licensing
Artwork or archival images
If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
Audio and film clips
MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit Circulating Film and Video Library.
Text from a publication or the archives
If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to [email protected].
Feedback
This record is a work in progress. If you have additional information or spotted an error, please fill out this feedback form.