This 2014 restoration revives the brilliant color tinting of L’Herbier’s since-lost original using a combination of dyeing techniques in line with color theory and narrative conventions of the time. The filmmaker likened the film’s chromatic montage to “visual absinthe.”

Gallery label from

2021

Gallery label from 2021

In this scene, the film’s main character (played by opera singer Georgette Leblanc) is taken to a scientist’s laboratory to be revived after a deadly snake bite. The set’s reduced geometries and whirring mechanics were designed by Fernand Léger (note its resemblance to his painting Three Women, on view nearby). Léger was just one of many figures from the Parisian art world invited to collaborate on this film, which L’Herbier envisioned as a “fairy story of modern decorative art”: architect Robert Mallet-Stevens, designer Pierre Chareau, fashion designer Paul Poiret, composer Darius Milhaud, and Ballets Suédois choreographer Jean Börlin all contributed elements.

Medium Digital transfer of 35mm film (black and white with color tinting and toning, silent)
Duration 8 min.
Credit The Museum of Modern Art, New York, 1978. Digital restoration by Lobster Films
Object number W5556.2.AV
Department Film - Manifestation/Item

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