Rem Koolhaas, Elia Zenghelis, Madelon Vriesendorp, Zoe Zenghelis
Exodus, or the Voluntary Prisoners of Architecture: The Strip
1972
Cut-and-pasted paper and painted paper with ink, pen, and graphite on photolithograph
Not on view
This drawing, part of a series of eighteen drawings, watercolors, and collages, pictures a walled city within the city of London. In this series, tall barriers cut through the urban fabric, an intervention designed to create a new urban culture invigorated by architectural innovation and political subversion. The dense pictographic storyboard, reflecting Koolhaas’s earlier stints as journalist and screenwriter, is intended to be read as a factual and fictional scenario for the contemporary metropolis. The title of the project alludes to West Berlin’s situation during the Cold War as a restricted enclave within East Germany, encircled by a forbidding wall—in effect, a prison on the scale of a metropolis, in which people sought refuge voluntarily. Koolhaas and his collaborators used collage to create vivid scenes of life within the dystopian urban confines. The project was the catalyst for the founding of the collective architectural practice O.M.A. (Office for Metropolitan Architecture) in 1975.
9 + 1 Ways of Being Political: 50 Years of Political Stances in Architecture and Urban Design, September 12, 2012–March 25, 2013.
Gallery label from 75 Years of Architecture at MoMA , 2007.
These drawings come from a series of eighteen drawings, watercolors, and collages called Exodus, or the Voluntary Prisoners of Architecture. The dense pictographic storyboard reflects Koolhaas's earlier stints as journalist and screenwriter and is intended to be read simultaneously as a factual and a fictional scenario for the contemporary metropolis.
The title of the project alludes to Cold War West Berlin, a restricted enclave encircled by a forbidding wall—in effect, a prison on the scale of a metropolis, and one in which people sought refuge voluntarily. Exodus proposes a walled city in a long strip, with tall barriers that cut through London's urban fabric—an intervention designed to create a new urban culture invigorated by architectural innovation and political subversion. Here Koolhaas and his collaborators use collage to create vivid scenes of life within these visionary urban confines.
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Zoe Zenghelis
British, born Greece 1937 29 works onlinean interviewer once asked painter Zoe Zenghelis. She responded that her choice would be “walking and looking at streets, buildings, trees and plants, or looking at design in general.
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