Carmen Herrera

Untitled

1952

Acrylic on canvas

Not on view

To make this work, Herrera painted vertical bands of black and white at varying lengths and with diagonal breaks that create a two-tone zigzag pattern. She extended her pattern to the face and sides of the frame, giving the object a sense of dynamic totality. "I began a lifelong process of purification, a process of taking away what isn't essential," she explained. Although active in Paris and New York from the late 1940s on, she did not sell a painting until 2004, at the age of eighty-nine. She has recalled that one dealer bluntly told her, "You can paint circles around the male artists that I have, but I'm not going to give you a show because you're a woman."

Gallery label from

Making Space: Women Artists and Postwar Abstraction, April 19 - August 13, 2017

Kids label from 2019

Can you see the zigzag that goes across this painting? Follow it with your finger in the air. What looks like a line is actually created by the many different places where white paint meets black paint.

Medium Acrylic on canvas
Dimensions 25 x 60" (63.5 x 152.4 cm)
Credit Gift of Agnes Gund and Tony Bechara
Object number 972.2005
Department Painting & Sculpture

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