Collection 1880–1950

521

American Idioms

Ongoing

MoMA

Archibald John Motley Jr. Tongues (Holy Rollers). 1929. Oil on canvas, 29 1/4 × 36 1/8" (74.3 × 91.8 cm). The Museum of Modern Art, New York. Bequest of Janice H. Levin (by exchange). © Archibald John Motley Jr. Courtesy of the Artist's Estate. Photo: David Almeida
  • MoMA, Floor 5, 521 The Alfred H. Barr, Jr. Galleries

From the Great Depression through World War II, the United States experienced a period of turbulence and transformation. Informed by shifting social and economic dynamics at home and abroad, artists developed unique approaches to narrative art in diverse styles and mediums. In New York a new generation of artists trained under their forebears in workshops and schools such as the Art Students League, and showed their work together in local galleries and museums. Regional styles and subject matter flourished in cities like Chicago and Pittsburgh, as well as outside urban centers, bolstered by university art departments and government programs like the Works Progress Administration.

Across the country, self-taught artists exhibited alongside those with formal training. Some created depictions of themselves or those around them, while others drew from history and myth to reflect their lived realities. United by social, professional, and pedagogic connections, the artists represented in this gallery offer a vivid historical record of the era.

Organized by Lydia Mullin, Manager, Collection Galleries, with Rachel Remick, Curatorial Assistant, Department of Painting and Sculpture and Department of Curatorial Affairs.

17 works online

Support for the collection is provided by the Annual Exhibition Fund, with leadership contributions generously provided by Sue and Edgar Wachenheim III, the Eyal and Marilyn Ofer Family Foundation, the Noel and Harriette Levine Endowment, Jerry Speyer and Katherine Farley, Alice and Tom Tisch, the Marella and Giovanni Agnelli Fund for Exhibitions, Eva and Glenn Dubin, Mimi Haas, the William Randolph Hearst Endowment Fund for Photography, The David Rockefeller Council, the Kate W. Cassidy Foundation, The Contemporary Arts Council of The Museum of Modern Art, Anne and Joel Ehrenkranz, Kenneth C. Griffin, The International Council of The Museum of Modern Art, Marie-Josée and Henry R. Kravis, and Ronald S. and Jo Carole Lauder.

Artists

Installation images

How we identified these works

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff.

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