In the late 1930s and ’40s, Europe was torn apart by war. Though some artists secured passage to leave the continent, others lived through the upheaval and destruction. This gallery brings together examples of portraits by those who stayed behind, including Joan Miró and Pablo Picasso. The works evidence how these artists transformed the traditional genre of portraiture as they reflected on the anxieties of wartime.
Paintings by Miró and the other artists in this gallery offered a vision of the future during a time of turmoil. In 1941 art historian James Johnson Sweeney wrote that Miró’s work “belongs to the youth of a period that is opening, rather than the old age of a closing one.”
Organized by Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture with Rachel Remick, Curatorial Assistant, Department of Painting & Sculpture and Curatorial Affairs