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Exhibition history

Explore exhibitions from The Museum of Modern Art and MoMA PS1, from MoMA’s founding in 1929 to the present. These pages are updated continually.

  • Pat Steir. Space from Burial Mound Series. 1976. One engraving and drypoint from a portfolio of six engraving and drypoints and one engraving and etching. John B. Turner Fund. © 2016 Pat Steir

    A Singular Vision: Prints from Landfall Press

    Feb 6–May 6, 1997

    MoMA

  • Installation view of More Pieces for the Puzzle: Recent Additions to the Collection at The Museum of Modern Art, New York. Photo: Thomas Griesel

    More Pieces for the Puzzle: Recent Additions to the Collection

    Jul 21–Sep 8, 1998

    MoMA

  • Jean (Hans) Arp. Two Heads. 1929. Painted wood relief, 47 1/4 × 39 1/4″ (120 × 99.7 cm). The Museum of Modern Art, New York. © 2000 ARS, N.Y./VG Bild-Kunst, Bonn

    Making Choices

    Mar 16–Sep 26, 2000

    MoMA

  • Lorna Simpson. Wigs (Portfolio). 1994. Portfolio of 21 lithographs on felt, with 17 lithographed felt text panels, overall: 6′ × 13′ 6″ (182.9 × 411.5 cm). Purchased with funds given by Agnes Gund, Howard B. Johnson, and Emily Fisher Landau. © 2017 Lorna Simpson. Photo: John Wronn

    Open Ends

    Sep 28, 2000–Mar 4, 2001

    MoMA

  • Sylvie Fleury. His Mistress’ Toy (for Parkett no. 58). 2000. Multiple of polyurethane shoe with integrated noisemaker, Overall: 4 7/16 × 3 3/4 × 7 11/16″ (11.2 × 9.5 × 19.5 cm). Roxanne H. Frank Fund

    Collaborations with Parkett: 1984 to Now

    Apr 5–Jun 5, 2001

    MoMA

  • Jacob Lawrence. Street Shadows. 1959. Tempera on gesso on board, 24 × 29 7/8″ (61 × 75.9 cm). The Museum of Modern Art, New York. Gift of Ellen Kern in memory of her parents, Lewis and Jewel Garlick. © Gwendolyn Knight Lawrence, courtesy the Jacob and Gwendolyn Lawrence Foundation

    New to the Modern: Recent Acquisitions from the Department of Drawings

    Oct 25, 2001–Jan 8, 2002

    MoMA

  • Laura Owens. Untitled. 2000. Cut and pasted colored papers, watercolor, synthetic polymer paint, and pencil on paper, 39 1/8 × 27 5/8″ (99.4 × 70.2 cm). The Museum of Modern Art, New York. Purchased with funds provided by The Friends of Contemporary Drawing. Photo courtesy Sadie Coles HQ, London. © 2016 Laura Owens

    Drawing Now: Eight Propositions

    Oct 17, 2002–Jan 6, 2003

    MoMA

  • William Kentridge. Drawing from STEREOSCOPE. 1998–99. Charcoal and pastel on paper, 47 1/4 × 63″ (120 × 160 cm). Gift of The Junior Associates of The Museum of Modern Art, with special contributions from Anonymous, Scott J. Lorinsky, Yasufumi Nakamura, and The Wider Foundation. © 2003 William Kentridge. Photo: Tom Griesel, The Museum of Modern Art

    Stranger in the Village: Contemporary Drawings and Photographs from The Museum of Modern Art at Guild Hall

    Aug 9–Oct 27, 2003

    MoMA

  • Jacques de la Villeglé. 122 rue du Temple. 1968. Torn and collaged painted and printed paper on linen, 62 5/8″ × 6' 10 3/4″ (159.2 × 210.3 cm). Gift of Joachim Aberbach (by exchange). © 2004 Artists Rights Society (ARS), New York/ADAGP, Paris

    Modern Means: Continuity and Change in Art, 1880 to Now

    Apr 28–Aug 1, 2004

    MoMA

  • Dana Schutz. Presentation. 2005. Oil on canvas, 10 × 14′ (304.8 × 426.7 cm). Fractional and promised gift of Michael and Judy Ovitz. © 2016 Dana Schutz

    Take Two. Worlds and Views: Contemporary Art from the Collection

    Sep 14, 2005–Mar 21, 2006

    MoMA

  • William Kentridge. Drawing from Stereoscope, “Untitled.” 1998–99. Charcoal, pastel, and colored pencil on paper, 47 1/4 × 63″ (120 × 160 cm). The Museum of Modern Art, New York. Gift of The Junior Associates of The Museum of Modern Art, with special contributions from Anonymous, Scott J. Lorinsky, Yasufumi Nakamura, and The Wider Foundation

    Drawing from the Modern, 1975–2005

    Sep 14, 2005–Jan 9, 2006

    MoMA

  • Joan Miró. Drawing-Collage. 1936. Crayon and decals on paper, 25 1/4 × 17 1/8″ (64 × 43.3 cm). The Museum of Modern Art. Gift of Nelson A. Rockefeller. © 2006 Successió Miró/Artists Rights Society (ARS), New York/ADAGP, Paris

    Transforming Chronologies: An Atlas of Drawings, Part Two

    May 10–Oct 2, 2006

    MoMA

  • The Museum of Modern Art Archives, New York

    Into Me/Out of Me

    Jun 25–Sep 25, 2006

    MoMA PS1

  • Kara Walker. Exodus of Confederates from Atlanta, from the portfolio Harper’s Pictorial History of the Civil War (Annotated). 2005. One from a portfolio of fifteen lithograph and screenprints, 39 1/16 x 52 15/16" (99.2 x 134.4 cm). Publisher and printer: LeRoy Neiman Center for Print Studies, Columbia University, New York. Edition: 35. The Museum of Modern Art. General Print Fund and The Ralph E. Shikes Fund. © 2007 Kara Walker

    Repicturing the Past/Picturing the Present

    Jun 13–Nov 5, 2007

    MoMA

  • Digital wallpaper of Kelley Walker’s nine disasters (Florida City; Maui; Moran; San Fernando Valley; Anchorage; Kobe; Elba; Los Angeles; TWA Flight 800)

    Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection

    Apr 22, 2009–Jan 4, 2010

    MoMA

  • Kerry James Marshall. Study for Blue Water, Silver Moon. 1991. Conté crayon and watercolor on paper, 49  3/4 x 38 1/8" (126.4 x 96.8 cm). The Museum of Modern Art. Purchased with General Acquisitions Funds and funds provided by The Friends of Education of The Museum of Modern Art. © 2010 Kerry James Marshall

    Contemporary Art from the Collection

    Jun 30, 2010–Sep 19, 2011

    MoMA

  • Installation view of Clifford Owens: Anthology at MoMA PS1, November 13, 2011–May 7, 2012. Photo: Matthew Septimus

    Clifford Owens: Anthology

    Nov 13, 2011–May 7, 2012

    MoMA PS1

  • Martin Kippenberger. Content on Tour (Inhalt auf Reisen). 1992. Screenprint mounted on plywood, with unique alterations by the artist, 70 7/8 x 59" (180 x 150 cm). Publisher and printer: Edition Artelier, Graz, Austria. Edition: 3 this size; 5 for three smaller sizes. Collection Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne. © Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne. Photo: Lothar Schnepf, Cologne

    Print/Out

    Feb 19–May 14, 2012

    MoMA

  • Rirkrit Tiravanija (Thai, born Argentina 1961). untitled (the days of this society is numbered / December 7, 2012). 2014. Synthetic polymer paint and newspaper on linen, 87 × 84 1/2″ (221 × 214.6 cm). The Museum of Modern Art, New York. Committee on Drawings and Prints Fund, 2014. © 2015 Rirkrit Tiravanija

    Scenes for a New Heritage: Contemporary Art from the Collection

    Mar 8, 2015–Apr 11, 2016

    MoMA

  • Erik van Lieshout (Dutch, born 1968). Untitled. 2014. Conté crayon, synthetic polymer paint, felt-tip pen, and vinyl on paper, 59 x 107 7/8" (149.9 x 274 cm). The Museum of Modern Art, New York. Acquired through the generosity of The Contemporary Drawing and Print Associates of The Museum of Modern Art in memory of Riva Castleman, 2015. © 2017 Erik van Lieshout

    Unfinished Conversations: New Work from the Collection

    Mar 19–Jul 30, 2017

    MoMA

  • Nick Cave. Soundsuit. 2011. Found objects, knit head and bodysuit, and mannequin, 10' 1" x 42" x 33" (307.3 x 106.7 x 83.8 cm). The Museum of Modern Art, New York. Gift of Agnes Gund in honor of Dr. Stuart W. Lewis. © 2018 Nick Cave. Photo: Imaging and Visual Resources Department, MoMA

    Studio Visit: Selected Gifts from Agnes Gund

    Apr 29–Jul 22, 2018

    MoMA

  • Jack Whitten. Atopolis: For Édouard Glissant. 2014. Acrylic on canvas, eight panels, overall 124 1/2 × 248 1/2" (316.2 × 631.2 cm). Acquired through the generosity of Sid R. Bass, Lonti Ebers, Agnes Gund, Henry and Marie-Josée Kravis, Jerry Speyer and Katherine Farley, and Daniel and Brett Sundheim

    215: Worlds to Come

    Fall 2019–Spring 2021

    Collection gallery

    MoMA

  • Mohammed Sami. The Execution Room. 2022. Acrylic on linen, 8 1/2 × 11 1/2' (259.1 × 350.5 cm). The Museum of Modern Art, New York. Gift of Lonti Ebers in honor of Glenn Lowry. © 2024 Mohammed Sami

    214: War Remembers Me

    Aug 9, 2024–Jun 22, 2025

    Collection gallery

    MoMA

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