Naufus Ramírez-Figueroa

Lugar de Consuelo (Place of Solace)

Mar 28–May 25, 2026

MoMA

Naufus Ramírez-Figueroa. Lugar de Consuelo (Place of Solace). 2020. High-definition video (color, sound; 35:25 min.), costumes, props, nine aquatints on paper, and 27 watercolor sketches, dimensions variable. The Museum of Modern Art, New York. Latin American and Caribbean Fund and the Fund for the Twenty-First Century, 2023. © 2025 Naufus Ramírez-Figueroa
  • MoMA, Floor 4, Studio The Marie-Josée and Henry Kravis Studio

Featuring a dazzling array of prints, drawings, costumes, sculpture, video, and a performance, Naufus Ramírez-Figueroa’s Lugar de Consuelo (Place of Solace) (2020) addresses the political and personal histories of Guatemala’s long civil war (1960–96). Building on Ramírez-Figueroa’s research on Latin American theater, Lugar de Consuelo is inspired by the history of the revolutionary play El Corazón del espantapájaros (Heart of the Scarecrow), written by the playwright Hugo Carrillo in 1962. During the civil war, Guatemala’s government violently repressed a student production of the play. Years later, Ramírez-Figueroa learned about this from his uncle, who participated in that production as an actor. The artist’s research, drawn mostly from oral accounts, resulted in etchings, drawings, and costumes that reimagine the events surrounding its censorship.

An installation of Ramírez-Figueroa’s costumes and props, as well as watercolor sketches and a film of a prior performance, staged at the Universidad Popular de Guatemala, where the censored production took place, will be on view in the Kravis Studio. In June 2026, the exhibition will culminate in the first New York performances of Lugar de Consuelo. Based on the five characters from Carillo’s work—an oligarch, a president, a soldier, a priest, and a scarecrow—the new script, written in collaboration with poet Wingston González, imagines a new, mythical narrative.

Performances will take place June 16–28, 2026; tickets for individual performances are now available. Performances will be presented in either English or Spanish, as indicated in the schedule below.

Performance schedule
Tue, Jun 16, 8:00 p.m. (Spanish)
Wed, Jun 17, 8:00 p.m. (Spanish)
Thu, Jun 18, 8:00 p.m. (Spanish)
Thu, Jun 25, 8:00 p.m. (English)
Sat, Jun 27, 8:00 p.m. (English)
Sun, Jun 28, 8:00 p.m. (English)

Organized by Inés Katzenstein, Curator of Latin American Art and Director of the Patricia Phelps de Cisneros Research Institute for the Study of Art from Latin America, Julia Detchon, former Curatorial Associate, Latin American Art, and Chloë Courtney, Curatorial Assistant, Department of Drawings and Prints. Produced by Lizzie Gorfaine, Director, with Aminah Ibrahim, Assistant Performance Coordinator, Performance and Live Art.

  • This exhibition is part of The Marie-Josée and Henry Kravis Studio.
  • Media and Performance at MoMA are presented through a partnership with Richard Mille.

    Annual support for programming in The Marie-Josée and Henry Kravis Studio is generously provided by the Wallis Annenberg Director’s Fund for Innovation in Contemporary Art and by the Sarah Arison Endowment Fund for Performance.

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