This event has reached capacity. Contact [email protected] to be added to the waitlist or for any additional questions.
Spend a perfect evening in the Sculpture Garden at a member-only screening of Rear Window. Directed by Alfred Hitchcock, cinema’s master of suspense, and based on Cornell Woolrich’s noir short story “It Had to Be Murder,” this celebrated thriller follows the obsessions of L.B. “Jeff” Jeffries (James Stewart), a wheelchair-bound photojournalist who spies on his unsuspecting neighbors from the window of his Greenwich Village apartment. When Jeff becomes convinced he’s witnessed a neighbor’s murder, he enlists the help of his glamorous girlfriend Lisa Fremont (Grace Kelly) in an attempt to expose the killer.
Doors open at 8:00 p.m. and the screening will begin at 8:30 p.m. Please enter through the Ronald S. and Jo Carole Lauder Building entrance at 11 West 53 Street. Advance registration is required and capacity is limited; reservation admits two and is nontransferable.
This event is open to members at the Explore category and above. Not a member? Join now to unlock a year of engaging content and events.
Please note: The Sculpture Garden contains an artwork with a living beehive, located in the center tree bed. Be aware of the bees’ presence and take caution near the sculpture. Visitors entering the Sculpture Garden do so at their own risk.
Questions? Please contact [email protected].
Accessibility
American Sign Language (ASL) interpretation is available for public programs upon request with two weeks’ advance notice. MoMA will make every effort to provide accommodation for requests made with less than two weeks’ notice. Please contact [email protected] to make a request for these accommodations.
Film at MoMA is made possible by CHANEL.
Additional support is provided by the Annual Film Fund. Leadership support for the Annual Film Fund is provided by Debra and Leon D. Black and by Steven Tisch, with major contributions from The Contemporary Arts Council of The Museum of Modern Art, Jo Carole and Ronald S. Lauder, MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, the Association of Independent Commercial Producers (AICP), The Junior Associates of The Museum of Modern Art, the Samuel I. Newhouse Foundation, Karen and Gary Winnick, and The Brown Foundation, Inc., of Houston.